![]() If you listen carefully you can hear the sedate, ornate funk sound of Dre’s legendary early 90s run snapping into place on tracks like “I Ain’t tha 1” and “Gangsta Gangsta.” Dre and Yella coated these songs in a blanket of hooky sample loops lifted off the funk and soul music of their parents, but flayed and layered in a manner not unlike the dense sound collages of Public Enemy classics like “It Takes a Nation of Millions to Hold Us Back” and the Beastie Boys’ and Dust Brothers’ epic “Paul’s Boutique.” As Dre’s ease with sampling increased, he began to move from abrasive hard funk and gritty boom bap into smoother territories. ![]() If “Straight Outta Compton’s” stories were stark, the production provided listeners some solace. Dre, ‘The Chronic’ at 20: Classic Track-By-Track Review They were documentarians, shining much needed light on the plight of a class of increasingly disgruntled and disenfranchised Americans.ĭr. The lyrical content was crass and uncompromising, but as the group would find itself constantly explaining in interviews, that’s because the community that spawned the group wasn’t doing so well. Dre on vocals and Dre and DJ Yella on production, and the fruit of their efforts was 1989’s “Straight Outta Compton.” The album bore traces of the playful gallows humor of early incarnations of the group, but the new material vividly matched faces and sounds to the heretofore-untold struggles of inner city youth during the crack epidemic. N.W.A ( Ni–az Wit Attitudes) spent the remainder of 1987 and parts of 1988 recording with just Eazy-E, Ice Cube, MC Ren, and Dr. ![]()
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